- 0
- 0
- 0
Title: Romance 1600
Artist: Sheila E.
Genre: Pop
Released: 1985
Tracks:
1 - Sister Fate - 3:55 -
2 - Dear Michaelangelo - 4:37
3 - A Love Bizarre - 12:18 -
4 - Toy Box - 5:36
5 - Yellow - 2:10
6 - Romance 1600 - 3:55
7 - Merci for The Speed of a Mad Clown in Summer - 2:46
8 - Bedtime Story - 3:43
Overview:
Artist: Sheila E.
Genre: Pop
Released: 1985
Tracks:
1 - Sister Fate - 3:55 -
2 - Dear Michaelangelo - 4:37
3 - A Love Bizarre - 12:18 -
4 - Toy Box - 5:36
5 - Yellow - 2:10
6 - Romance 1600 - 3:55
7 - Merci for The Speed of a Mad Clown in Summer - 2:46
8 - Bedtime Story - 3:43
Overview:
Romance 1600 is the second album by the singer-drummer-percussionist Sheila E. Prince contributed some backing vocals, guitar and bass guitar, and co-wrote/co-produced "A Love Bizarre", a 12-minute epic that became a major hit in its edited radio-friendly form.
During her break, she had received a lot of media exposure, including appearing in the movie Krush Groove, in which she performed "A Love Bizarre" and "Holly Rock". She had also performed for a wide audience as an act on Prince and The Revolution's Purple Rain Tour.
The video for the album's lead single, "Sister Fate", introduced a new image of the performer: a somewhat female-Prince influenced protégée. "Sister Fate"'s B-side had the cryptic protest song "Save the People". The album itself had many tracks that were personal and which help to support the embodiment of the thematic faux-French Renaissance episodic adventure that the lead single's video and the album art intended to set up for the listening audience
During her break, she had received a lot of media exposure, including appearing in the movie Krush Groove, in which she performed "A Love Bizarre" and "Holly Rock". She had also performed for a wide audience as an act on Prince and The Revolution's Purple Rain Tour.
The video for the album's lead single, "Sister Fate", introduced a new image of the performer: a somewhat female-Prince influenced protégée. "Sister Fate"'s B-side had the cryptic protest song "Save the People". The album itself had many tracks that were personal and which help to support the embodiment of the thematic faux-French Renaissance episodic adventure that the lead single's video and the album art intended to set up for the listening audience