
On this day July 30 1982, Night Shift premiered in theaters and marked the arrival of Ron Howard as a promising comedy director. The film starred Henry Winkler and introduced audiences to a then rising Michael Keaton in a breakout performance that set the stage for his future leading man success. Set in a New York City morgue, the story follows two mismatched employees who turn their night job into a secret escort service.
Winkler plays the straight laced Chuck, a former stockbroker now working the graveyard shift, while Keaton’s character Bill is an off the wall schemer with endless wild ideas. Their unlikely partnership brings chaos, comedy, and unexpected heart as the duo find themselves juggling corpses, clients, and their own personal growth.
Night Shift mixed raunchy humor with surprising sweetness and earned praise for its clever script and energetic direction. It also featured early appearances by Shelley Long and a soundtrack that included Rod Stewart’s That’s What Friends Are For. The film was not a massive box office smash but gained a strong cult following and remains a favorite among 80s comedy fans.
80s insight: By 1982 comedy was undergoing a shift toward edgier material and Night Shift helped usher in a new wave of workplace comedies built around big personalities and chaotic situations.
Winkler plays the straight laced Chuck, a former stockbroker now working the graveyard shift, while Keaton’s character Bill is an off the wall schemer with endless wild ideas. Their unlikely partnership brings chaos, comedy, and unexpected heart as the duo find themselves juggling corpses, clients, and their own personal growth.
Night Shift mixed raunchy humor with surprising sweetness and earned praise for its clever script and energetic direction. It also featured early appearances by Shelley Long and a soundtrack that included Rod Stewart’s That’s What Friends Are For. The film was not a massive box office smash but gained a strong cult following and remains a favorite among 80s comedy fans.
80s insight: By 1982 comedy was undergoing a shift toward edgier material and Night Shift helped usher in a new wave of workplace comedies built around big personalities and chaotic situations.