
On this day April 14, 1981, Funkadelic released their thirteenth and final studio album The Electric Spanking of War Babies. Known for their fearless mix of funk, rock, and social commentary, the band delivered a politically charged record that pushed boundaries both musically and lyrically.
The album featured driving grooves, experimental production, and satirical lyrics aimed at consumerism, war, and media culture. The title track, along with songs like Funk Gets Stronger and Icka Prick, captured George Clinton’s signature style part psychedelic funk party, part wake up call. It was a bold closing chapter for Funkadelic, whose influence had already reshaped funk and inspired countless artists across genres.
The album was also notable for its controversial original cover art, which was toned down by the label before release. Even so, it remained one of the band’s most outspoken and unique records.
Fun fact: The original album cover was rejected by Warner Bros. for being too provocative and was replaced with a censored version that included a giant green box reading “CENSORED.”
Trivia question: What 1981 album by Funkadelic featured sharp political themes and marked the band’s final studio release?
The album featured driving grooves, experimental production, and satirical lyrics aimed at consumerism, war, and media culture. The title track, along with songs like Funk Gets Stronger and Icka Prick, captured George Clinton’s signature style part psychedelic funk party, part wake up call. It was a bold closing chapter for Funkadelic, whose influence had already reshaped funk and inspired countless artists across genres.
The album was also notable for its controversial original cover art, which was toned down by the label before release. Even so, it remained one of the band’s most outspoken and unique records.
Fun fact: The original album cover was rejected by Warner Bros. for being too provocative and was replaced with a censored version that included a giant green box reading “CENSORED.”
Trivia question: What 1981 album by Funkadelic featured sharp political themes and marked the band’s final studio release?